Art criticism essay format

The show becomes one of the most widely criticized exhibitions in the museum’s history. Michael Kimmelman writes in the first paragraph of his New York Times review: “It has brought various New York critics of usually discordant opinions into rare harmony: at the least, they dislike it. I hate the show.” Robert Hughes’s Time review was subtitled “A Fiesta of Whining.” Peter Schjeldahl of The Village Voice says the show “really may have been the worst ever.” “The show was rough and vulgar,” says Schjeldahl now. “I reacted against that. I resisted the truth that it embodied a necessary force of history, squaring the little art world with big values of democracy. But truth will tell, and I came around. Art survived just fine. The event was good for society and, gradually, by the way, for me.” Michael Kimmelman is less contrite: “My 93 piece in retrospect seems to me heartfelt and clear,” he says. “It's not against the idea of a more politically engaged biennial or art world, but against the specifics of that show. Politics matter.” 

Art criticism essay format

art criticism essay format

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